The State of Things: Wreckage
The State of Things: Wreckage, installation view of 24 pieces, 2019 - 2021, mixed media on paper on canvas, 12” x 12” each
Small Works on Paper Mounted on Canvas
The State of Things: Wreckage 01, mixed media on paper on canvas, 12” x 12”, 2019
The State of Things: Wreckage 02, mixed media on paper on canvas, 12” x 12”, 2019
The State of Things: Wreckage 03, mixed media on paper on canvas, 12” x 12”, 2019
The State of Things: Wreckage 04, mixed media on paper on canvas, 12” x 12”, 2019
The State of Things: Wreckage 05, mixed media on paper on canvas, 12” x 12”, 2019
The State of Things: Wreckage 06, mixed media on paper on canvas, 12” x 12”, 2019
The State of Things: Wreckage 07, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 08, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 09, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 10, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 11, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 12, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 13, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 14, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 15, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 16, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 17, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 18, mixed media on paper on canvas, 12” x 12”, 2020
The State of Things: Wreckage 19, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 20, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 21, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 22, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 23, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 24, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 25, mixed media on paper on canvas, 12” x 12”, 2021
The State of Things: Wreckage 26, mixed media on paper on canvas, 12” x 12”, 2021
Small Works on Paper
The State of Things: Wreckage R2, mixed media on paper, 12” x 12”, 2020
The State of Things: Wreckage R3, mixed media on paper, 12” x 12”, 2020
The State of Things: Wreckage R4, mixed media on paper, 12” x 12”, 2020
The State of Things: Wreckage R1, mixed media on paper, 12” x 12”, 2020
The State of Things: Wreckage R5, mixed media on paper, 12” x 12”, 2020
The State of Things: Wreckage R6, mixed media on paper, 12” x 12”, 2020
The State of Things: Wreckage R7, mixed media on paper, 20” x 15”, 2020
The State of Things: Wreckage R8, mixed media on paper, 20” x 15”, 2020
The State of Things: Wreckage R9, mixed media on paper, 20” x 15”, 2020
The State of Things: Wreckage
The State of Things is an ongoing series of mixed media works on paper that represent my uneasiness in response to rapid change, constantly unfolding tragedies, and the seeming chaos of the world. In The State of Things I endeavor to find a delicate balance between chaos and order, between anxiety and optimism, between beauty and turmoil. I depict situations that are in flux yet held in tension.
I begin by photographing heaps of scrap, reflective of our consumerist excesses, of our constant tearing down to rebuild our surroundings. I digitally turn the photographs into line drawings, which I print and then paint over. Sometimes I reorient the images to change their center of gravity and create a greater sense of tension.
The State of Things series encompasses larger works on paper and these small pieces, subtitled Wreckages. In Wreckages, I mix images that are “zoomed in” to focus on small areas with others that give more encompassing views. The images inWreckages range from abstracted, unrecognizable forms to those that are quite grounded in mundane physical reality.
My intent is to create scenes that appear unstable, where there is a sense of excess, of tangled objects and forms in flux. Something might topple over or collapse. There is potential danger; yet the work invites one to enter and spend time. There are worlds of detail, color, complex space, even beauty, and subtle surface physicality to explore. Within the chaos, the works offer an opening for discovery and invention.
— Susan Brenner